Eduard Strauss, Mariss Jansons, Wiener Philharmoniker's 'Carmen-Quadrille, Op. 134' came out on January 2, 2012. With this song being about 5 minutes long, at 5:27, "Carmen-Quadrille, Op. 134" by Eduard Strauss, Mariss Jansons, Wiener Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "New Year's Concert 2012 / Neujahrskonzert 2012". In this album, this song's track order is #3. In terms of popularity, Carmen-Quadrille, Op. 134 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen-Quadrille, Op. 134 by Eduard Strauss, Mariss Jansons, Wiener Philharmoniker having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viotti: Violin Concerto No. 22 in A Minor: III. Agitato assai | Giovanni Battista Viotti, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Minor | 2 | 8A | 104 BPM | ||
Carmen-Quadrille, Op. 134 | Eduard Strauss, Mariss Jansons, Wiener Philharmoniker | C Major | 3 | 8B | 101 BPM | ||
Dichter und Bauer: Ouvertüre | Franz von Suppé, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 150 BPM | ||
Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | ||
No. 4, Marcia all turca | Ludwig van Beethoven, Dennis Russell Davies, Mechthild Gessendorf, Roger Andrews, Joseph Flummerfelt, Orchestra of St. Luke's, New York Choral Artists | F Major | 2 | 7B | 99 BPM | ||
Bizet: Carmen, WD 31: Prélude | Georges Bizet, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 3 | 7A | 133 BPM | ||
Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act III: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 86 BPM |