Antonín Dvořák, Pavel Haas Quartet's 'String Quartet No. 13 in G Major, Op. 106, B. 192: II. Adagio ma non troppo' came out on September 24, 2010. String Quartet No. 13 in G Major, Op. 106, B. 192: II. Adagio ma non troppo appears to be safe for all ages as it is not explicit. The song is number 2 out of 8 in Dvořák: String Quartets Nos. 12 & 13 by Antonín Dvořák, Pavel Haas Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Czechia. Based on our statistics, String Quartet No. 13 in G Major, Op. 106, B. 192: II. Adagio ma non troppo's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 13 in G Major, Op. 106, B. 192: II. Adagio ma non troppo by Antonín Dvořák, Pavel Haas Quartet is Vivace (lively and fast), since this song has a tempo of 158 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
String Quartet No. 14 Death and the Maiden in D Minor, D. 810: II. Andante con motto | Franz Schubert, Pavel Haas Quartet | G Minor | 0 | 6A | 91 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
String Octet in E-Flat Major, Op. 20, MWV R20: IV. Presto | Felix Mendelssohn, Kodály Quartet, Auer String Quartet | D Major | 1 | 10B | 65 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: I. Allegretto - Allegro vivace | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM |