"String Quartet No. 14 Death and the Maiden in D Minor, D. 810: II. Andante con motto" by Franz Schubert, Pavel Haas Quartet was released on September 20, 2013. String Quartet No. 14 Death and the Maiden in D Minor, D. 810: II. Andante con motto appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Schubert: String Quartet No. 14 "Death and the Maiden", String Quintet". In this album, this song's track order is #2. In terms of popularity, String Quartet No. 14 Death and the Maiden in D Minor, D. 810: II. Andante con motto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 14 Death and the Maiden in D Minor, D. 810: II. Andante con motto by Franz Schubert, Pavel Haas Quartet having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Italian Concerto in F Major, BWV 971: 2. Andante | Johann Sebastian Bach, Alfred Brendel | D Minor | 1 | 7A | 116 BPM | ||
Hungarian Dance No.4 in F sharp minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Minor | 1 | 4A | 70 BPM | ||
Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro Molto | Clara Schumann, Ragna Schirmer, Staatskapelle Halle, Ariane Matiakh | A Minor | 1 | 8A | 105 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
Masquerade - Ballet Suite: Nocturne | Aram Khachaturian, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 83 BPM | ||
Adagio Assai | Ravel, Arturo Benedetti Michelangeli | E Major | 0 | 12B | 68 BPM | ||
String Quartet No. 2 in D Minor, JB 1:124: IV. Finale. Presto | Bedřich Smetana, Pavel Haas Quartet | E Minor | 2 | 9A | 79 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 0 | 6B | 120 BPM | ||
Holberg Suite, Op. 40: 4. Air (Andante religioso) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 71 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM |