"Marchenbilder (Fairy Tales), Op. 113: III. Rasch" by Robert Schumann, Tabea Zimmermann, Hartmut Höll was released on January 1, 2004. The duration of Marchenbilder (Fairy Tales), Op. 113: III. Rasch is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Marchenbilder (Fairy Tales), Op. 113: III. Rasch's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schumann, R.: Adagio and Allegro / Fantasiestucke / 3 Romanzen / Violin Sonata No. 1 / Marchenbilder". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Marchenbilder (Fairy Tales), Op. 113: III. Rasch is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Marchenbilder (Fairy Tales), Op. 113: III. Rasch by Robert Schumann, Tabea Zimmermann, Hartmut Höll having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM | ||
Piano Trio in D minor, Op. 120: 1. Allegro, ma non troppo | Gabriel Fauré, Beaux Arts Trio | E Major | 0 | 12B | 108 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 3. Presto | Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit | G Minor | 2 | 6A | 102 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Grieg: Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Truls Mørk, Håvard Gimse | D♭ Major | 1 | 3B | 121 BPM | ||
Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | A♭ Minor | 1 | 1A | 173 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.3 Paysage (Poco adagio) | Franz Liszt, Daniil Trifonov | F Major | 0 | 7B | 67 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Piano Trio No. 1 in F Major, Op. 18: I. Allegro vivace | Camille Saint-Saëns, Joachim Trio | F Major | 1 | 7B | 99 BPM | ||
Debussy: Cello Sonata in D Minor, L. 135: II. Sérénade | Claude Debussy, Bertrand Chamayou | G Major | 0 | 9B | 130 BPM |