"J. G. Rheinberger: Abendlied" by Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn was released on December 1, 2002. The duration of J. G. Rheinberger: Abendlied is about 3 minutes long, at 3:23. Based on our data, "J. G. Rheinberger: Abendlied" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Vox Bona - Kammerchor der Kreuzkirche Bonn, Karin Freist-Wissing's "Moon - Night - Dream: Choral Music of the 19th & 20th Centuries" album is number 15 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, J. G. Rheinberger: Abendlied's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of J. G. Rheinberger: Abendlied by Josef Rheinberger, Karin Freist-Wissing, Vox Bona - Kammerchor der Kreuzkirche Bonn to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peace I Leave with You | Amy Beach, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | E♭ Major | 1 | 5B | 81 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 1, The Dance | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
Exultate Justi | Lodovico Grossi da Viadana, Voices of Ascension Chorus, Dennis Keene | A Major | 1 | 11B | 78 BPM | ||
Les Chansons des roses: No. 4. La Rose Complete. No. 5. Dirait-on | Morten Lauridsen, Leslie De'Ath, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 79 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Missa in G Major, Op. 151 "St. Crucis": II. Gloria | Josef Rheinberger, Vocalensemble Rastatt, Holger Speck | D Minor | 0 | 7A | 130 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Les Chansons Des Roses: IV. La Rose Complète | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 135 BPM | ||
Shall I Compare Thee To A Summer's Day? (Sonnet No. 18) | Nils Lindberg, William Shakespeare, The Norwegian Soloists' Choir | A Minor | 1 | 8A | 80 BPM | ||
El Hambo | Jaakko Mäntyjärvi, Chamber Choir 441 Hz, Anna Wilczewska | D Major | 6 | 10B | 74 BPM |