"From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 1, The Dance" by Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman had its release date on January 15, 2021. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 20 in Elgar: From the Bavarian Highlands, Op. 27 & Partsongs by Edward Elgar, Bavarian Radio Chorus, Howard Arman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 1, The Dance's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 1, The Dance by Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman is Allegro (fast, quick, and bright), since this song has a tempo of 134 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of Travel: Youth and Love | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | G Major | 0 | 9B | 167 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
Hänsel und Gretel, EHWV 93.3, Act II: Abends, will ich schlafen geh'n | Engelbert Humperdinck, Rundfunk-Sinfonieorchester Berlin, Marek Janowski, Katrin Wundsam, Alexandra Steiner | D Major | 0 | 10B | 169 BPM | ||
The Dream of Gerontius, Op. 38, Pt.1: Rouse thee, my fainting soul | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | C Minor | 0 | 5A | 115 BPM | ||
Schubert: Mass in G Major, D. 167: Agnus Dei | Franz Schubert, Lucia Popp, Bavarian Radio Chorus, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | C Major | 2 | 8B | 102 BPM | ||
Geistliche Chöre, Op. 69: Nr. 3 Abendlied | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | F Major | 0 | 7B | 136 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM |