"8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung" by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur was released on January 1, 1983. With 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Strauss, R.: Four Last Songs, etc.". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: 1. Zueignung by Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra: Xix. Elektra! Elektra! | Hugo von Hofmannsthal, Richard Strauss, Gunnar Lundberg, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Requiem: V. Quid Sum Miser | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Christine Brewer, London Symphony Orchestra, Karen Cargill | C Minor | 0 | 5A | 82 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Turandot: Act I: Signore, ascolta! | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis | F♯ Major | 1 | 2B | 98 BPM | ||
Elektra, op. 58: Wenn das rechte Blutopfer | Richard Strauss, Orchestra del Maggio Musicale Fiorentino, Dimitri Mitropoulos, Anny Konetzni, Martha Mödl | F Major | 3 | 7B | 75 BPM | ||
Wesendonck Lieder, WWV 91: Im Treibhaus | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | G Minor | 0 | 6A | 88 BPM | ||
Stabat Mater: 1. Stabat Mater dolorosa | Gioachino Rossini, Katia Ricciarelli, Lucia Valentini Terrani, Dalmacio Gonzales, Ruggero Raimondi, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 0 | 6A | 83 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM |