"Shall I Compare Thee To A Summer's Day? (Sonnet No. 18)" by Nils Lindberg, William Shakespeare, The Norwegian Soloists' Choir was released on September 18, 2006. The duration of Shall I Compare Thee To A Summer's Day? (Sonnet No. 18) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Shall I Compare Thee To A Summer's Day? (Sonnet No. 18)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Telling What Is Told - Shakespeare Songs". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Norway. Shall I Compare Thee To A Summer's Day? (Sonnet No. 18) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shall I Compare Thee To A Summer's Day? (Sonnet No. 18) by Nils Lindberg, William Shakespeare, The Norwegian Soloists' Choir having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamlet - I. Akt, 4. Szene, Teil 1 | Reclam Hörbücher, Johannes Steck, William Shakespeare | D Major | 5 | 10B | 90 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: I. Kyrie | Josef Rheinberger, Ensemble Stuttgart, Frieder Bernius, Kammerchor Stuttgart | E♭ Major | 1 | 5B | 66 BPM | ||
Evening Service in B Minor, Op. 6: I. Magnificat | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | E Minor | 2 | 9A | 76 BPM | ||
Mass: III. Gloria | Steve Dobrogosz, St. Jacob's Chamber Choir, Stockholm Chamber Orchestra, Gary Graden | G Minor | 0 | 6A | 133 BPM | ||
Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM | ||
Natt över jorden | Karin Rehnqvist, Maria Magdalena Chamber Choir, Mats Nilsson | D Minor | 0 | 7A | 81 BPM | ||
Vårsång - Glad såsom fågeln: Glad sasom fageln (Merry as a Bird) | Prince Gustaf, Orphei Drängar, Robert Sund | G Major | 1 | 9B | 125 BPM | ||
Hamlet - I. Akt, 5. Szene, Teil 1 | Reclam Hörbücher, Johannes Steck, William Shakespeare | B♭ Minor | 6 | 3A | 116 BPM | ||
Tre Körvisor - September | Wilhelm Stenhammar, Eric Ericson | B Minor | 1 | 10A | 81 BPM | ||
Chapter 21 - Hamlet | William Shakespeare, Mark Capri, Josh Clark, Stephen Collins, JD Cullum, Stacy Keach, Henri Lubatti, Alan Mandell, Jon Matthews, Darren Richardson, Andre Sogliuzzo, Josh Stamberg, Emily Swallow, JoBeth Williams, Matthew Wolf | B♭ Minor | 1 | 3A | 55 BPM |