Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire, Ivo Hadermann, Alex Van Aeken, Luc Loubry's 'Overture in F Major, TWV 55:F16: VII. La tempête' came out on 2006. The duration of Overture in F Major, TWV 55:F16: VII. La tempête is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Overture in F Major, TWV 55:F16: VII. La tempête's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Telemann: Complete Overtures, Vol. 3". In this album, this song's track order is #35. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Overture in F Major, TWV 55:F16: VII. La tempête is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture in F Major, TWV 55:F16: VII. La tempête by Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire, Ivo Hadermann, Alex Van Aeken, Luc Loubry having a テンポ of 110 with a half-time of 55 テンポ and a double-time of 220 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Ouverture in E Minor, TWV 55:e1: I. Ouverture. Lentement - Vite - Lentement - Vite - Lentement | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E♭ Minor | 2 | 2A | 119 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Concerto Grosso No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
Telemann: Concerto for four violins - Allegro | Charivari Agréable | F♯ Major | 1 | 2B | 131 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Concerto I in Sol minore RV 157: Largo | Modo Antiquo, Federico Maria Sardelli | G Minor | 1 | 6A | 62 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM |