Modo Antiquo, Federico Maria Sardelli made "Concerto I in Sol minore RV 157: Largo" available on January 26, 2007. With Concerto I in Sol minore RV 157: Largo being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Concerti Di Parigi I XII by Modo Antiquo. The song's track number on the album is #4 out of 35 tracks. Concerto I in Sol minore RV 157: Largo is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Concerto I in Sol minore RV 157: Largo by Modo Antiquo, Federico Maria Sardelli has a tempo of 62 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Concerto I in Sol minore RV 157: Largo being at 62 テンポ, the half-time would be 31 テンポ with a double-time of 124 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Six Brandenburg Concertos, No. 1 in F Major, BWV 1046: III. Allegro | Johann Sebastian Bach, Rinaldo Alessandrini, Concerto Italiano | D♭ Minor | 3 | 12A | 98 BPM | ||
Concerto Grosso No. 1 in A Major (after D. Scarlatti): I. Adagio | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 81 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565): IV. Allegro | Antonio Vivaldi, Jordi Savall, Luca Guglielmi, Manfredo Kraemer, Pablo Valetti, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Concerto No 5 in G minor - Presto | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 1 | 11A | 83 BPM |