William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts's 'Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): IV. Giga: Allegro (arr. W. Babell)' came out on January 1, 2007. The duration of Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): IV. Giga: Allegro (arr. W. Babell) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): IV. Giga: Allegro (arr. W. Babell)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 33 in Corelli, A.: Sonatas, Op. 5, Nos. 7-12 by Arcangelo Corelli, Stefan Temmingh. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): IV. Giga: Allegro (arr. W. Babell)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): IV. Giga: Allegro (arr. W. Babell) by William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: III. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Baryton Trio in C Major, Hob. XI:93: I. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Violin Sonata No. 1 in D Minor: II. Presto | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 2 | 12A | 118 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Sonata a 3, Op. 1, No. 1: II. Vivace | Antonio Veracini, Dorothee Oberlinger, Rudiger Lotter, Axel Wolf, Olga Watts | D♭ Major | 1 | 3B | 119 BPM | ||
An Irish Tune | Francesco Geminiani, Stefan Temmingh | F♯ Minor | 2 | 11A | 128 BPM | ||
Sammartini: Recorder Concerto in F Major: II. — | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Violin Sonata No. 1: III. Adagio | Francesco Maria Veracini, Rudiger Lotter, Axel Wolf, Kristin von der Goltz, Olga Watts | B Major | 0 | 1B | 106 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Concerto grosso in C, Op. 6, No. 10 - Rev. by Vittorio Negri (1923 - ): 3. Adagio | Arcangelo Corelli, Felix Ayo, Arnaldo Apostoli, Enzo Altobelli, Maria Teresa Garatti, Marijke Smit Sibinga, I Musici | A Minor | 0 | 8A | 79 BPM |