"3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda" by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau was released on January 26, 2024. The duration of 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda is about 3 minutes long, at 3:18. Based on our data, "3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 27 out of 29 in Corelli & Quentin: Flute Sonatas by Anna Besson, Myriam Rignol, Jean Rondeau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda by Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau is Allegro (fast, quick, and bright), since this song has a tempo of 137 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia No. 9 in G Minor, RosS 533.9: VI. Allegretto (Tarantella) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 3 | 11A | 129 BPM | ||
Trumpet Concerto in D Major, G. 28: II. Adagio | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Himmelskonig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | D Major | 8 | 10B | 102 BPM | ||
Theodora, HWV 68, Pt. II: Symphony Of Soft Musick | George Frideric Handel, Arcangelo, Jonathan Cohen | D♭ Minor | 1 | 12A | 75 BPM | ||
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Cello Sonata in B-Flat Major, RV 47: II. Allegro | Antonio Vivaldi, David Watkin, Robert King | A Major | 1 | 11B | 50 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM |