Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz's 'Ruddigore: Dialogue: "Richard! Robin!"' came out on December 1, 2009. The duration of Ruddigore: Dialogue: "Richard! Robin!" is about 3 minutes long, at 3:26. Based on our data, "Ruddigore: Dialogue: "Richard! Robin!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 38 in the song's album "Ruddigore". In this album, this song's track order is #11. In terms of popularity, Ruddigore: Dialogue: "Richard! Robin!" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Ruddigore: Dialogue: "Richard! Robin!" by Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Troqueurs, Scène 4 - 5: Air "Ah! qu'il me tarde de te voir" (Margot) - "Va, va, j'épouserais morbleu..." (Lucas) | Antoine Dauvergne, Cappella Coloniensis, Jean-Marc Salzmann, Mary Saint-Palais, William Christie | E Minor | 2 | 9A | 71 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "Wie? Wie? Wie?" | Wolfgang Amadeus Mozart, Rolando Villazón, Klaus Florian Vogt, Johanni van Oostrum, Corinna Scheurle, Claudia Huckle, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 112 BPM | ||
La vestale, Act I: Duo. Quand l’amitié seconde mon courage | Gaspare Spontini, Stanislas de Barbeyrac, Tassis Christoyannis, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
Inno delle nazioni: III. Andante mosso | Giuseppe Verdi, Freddie De Tommaso, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | F♯ Major | 1 | 2B | 69 BPM | ||
L'italiana in Algeri: Atto I. Cavatina. Cruda sorte! | Gioachino Rossini, Vasilisa Berzhanskaya, La Cetra Vokalensemble Basel, Orchestra Of The 18th Century, Giancarlo Andretta | F Major | 2 | 7B | 131 BPM | ||
The Pirates of Penzance: Oh, Better Far to Live and Die | Malcolm Rivers | C Major | 2 | 8B | 133 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. Pastourelle (Pastorale) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Minor | 1 | 8A | 77 BPM | ||
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
The Magic Flute, Act I: Don't be afraid, now hear my song | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Barry Banks | F Major | 2 | 7B | 130 BPM |