"Tannhauser, Act II: Einzug der Gaste auf der Warburg" by Richard Wagner, Budapest Symphony Orchestra, György Lehel was released on January 1, 1989. Since Tannhauser, Act II: Einzug der Gaste auf der Warburg is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner, R.: Orchestral Music From Operas by Richard Wagner, Vassil Kazandjiev, György Lehel, Yuri Ahronovitch. The song's track number on the album is #1 out of 10 tracks. Based on our statistics, Tannhauser, Act II: Einzug der Gaste auf der Warburg's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhauser, Act II: Einzug der Gaste auf der Warburg by Richard Wagner, Budapest Symphony Orchestra, György Lehel has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Tannhauser, Act II: Einzug der Gaste auf der Warburg being at 130 テンポ, the half-time would be 65 テンポ with a double-time of 260 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.8 in G Minor (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 129 BPM | ||
Gayane Suite No. 2: III. Dance of the Boys | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Minor | 7 | 12A | 103 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Parsifal / Act III: Prelude - Live | Richard Wagner, Bayreuth Festival Orchestra, Pablo Heras-Casado | F♯ Major | 0 | 2B | 87 BPM | ||
Piano Concerto No. 1 in G Minor, Op. 25: I. Molto allegro con fuoco | Felix Mendelssohn, Joseph Kalichstein, Jaime Laredo, Scottish Chamber Orchestra | G Minor | 1 | 6A | 83 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM |