Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch's 'Violin Concerto, Op. 48: I. Allegro molto e con brio' came out on September 1, 2002. With this song being about 5 minutes long, at 4:33, "Violin Concerto, Op. 48: I. Allegro molto e con brio" by Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Dmitry Kabalevsky, Neeme Järvi, Bryden Thomson, Lydia Mordkovitch, Raphael Wallfisch, Royal Scottish National Orchestra, London Philharmonic Orchestra's "Kabalevsky: Violin Concerto & Cello Concerto" album is number 1 out of 6. Based on our statistics, Violin Concerto, Op. 48: I. Allegro molto e con brio's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto, Op. 48: I. Allegro molto e con brio by Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch to be Allegro (fast, quick, and bright) because the track has a tempo of 145 テンポ, a half-time of 72テンポ, and a double-time of 290 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
Symphony No. 7 in E Major, WAB 107 (original 1885 version, ed. R. Haas): IV. Finale: Bewegt, doch nicht schnell | Anton Bruckner, Royal Scottish National Orchestra, Georg Tintner | B Major | 0 | 1B | 92 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 1 | 10B | 153 BPM | ||
Cello Conserto No. 1 in G minor, Op. 49 (1949): III. Allegro-Allegro molto | Dmitry Kabalevsky, Marina Tarasova, The Symphony Orchestra of Russia, Veronika Dudarova | C Minor | 1 | 5A | 122 BPM |