"Thaïs / Acte Deux: Meditation" by Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi was released on January 1, 1990. With this song being about 5 minutes long, at 4:55, "Thaïs / Acte Deux: Meditation" by Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 15 in Barcarolle - Favourite Opera Intermezzi by Gothenburg Symphony Orchestra, Neeme Järvi. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Thaïs / Acte Deux: Meditation is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thaïs / Acte Deux: Meditation by Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromptu No. 3 in G-Flat Major, Op.90, D 899 | Clare Hammond | F♯ Major | 0 | 2B | 175 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Humoresque No. 6 in G Minor, Op. 89d | Jean Sibelius, Dong-Suk Kang, Gothenburg Symphony Orchestra, Neeme Järvi | F♯ Minor | 2 | 11A | 120 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Vocalise, Op. 34, No. 14 (Arranged for Violin & Orchestra) | Sergei Rachmaninoff, Joshua Bell, Michael Stern, Orchestra of St. Luke's | E Minor | 2 | 9A | 100 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Les Erinnyes - Arr. by Mischa Maisky: Elégie | Jules Massenet, Mischa Maisky, Pavel Gililov | G Minor | 0 | 6A | 179 BPM | ||
Elgar: Salut d'amour, Op. 12 (Orchestral Version) | Edward Elgar, Northern Sinfonia Of England, Richard Hickox, Royal Northern Sinfonia | E Major | 1 | 12B | 56 BPM | ||
Rossini: Les Soirées musicales: VIII. La Danza (Arr. for Trumpet & Orchestra) | Gioachino Rossini, Lucienne Renaudin Vary, Roberto Rizzi Brignoli, Orchestre National de Lille | F Major | 3 | 7B | 150 BPM |