"Vertigo Suite: III. Carlotta's Portrait (Arr. C. O'Riley for Cello & Piano)" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. The duration of Vertigo Suite: III. Carlotta's Portrait (Arr. C. O'Riley for Cello & Piano) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Vertigo Suite: III. Carlotta's Portrait (Arr. C. O'Riley for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #7. In terms of popularity, Vertigo Suite: III. Carlotta's Portrait (Arr. C. O'Riley for Cello & Piano) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Vertigo Suite: III. Carlotta's Portrait (Arr. C. O'Riley for Cello & Piano) by Matt Haimovitz, Christopher O'Riley having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarabande | Matt Haimovitz | A♭ Major | 1 | 4B | 75 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
G Song | Terry Riley, Kronos Quartet | G Minor | 2 | 6A | 109 BPM | ||
6 Épigraphes antiques, L. 131: I. Pour invoquer Pan, du vent d'été | Claude Debussy, Orchestre de la Suisse Romande, Kazushi Yamada | D Minor | 0 | 7A | 93 BPM | ||
Cello Sonata in D Major, Op. 102 No. 2: I. Allegro con brio | Ludwig van Beethoven, Matt Haimovitz, Christopher O'Riley | E♭ Major | 0 | 5B | 80 BPM | ||
Preludes & Fugues, K. 404a: Prelude No. 1 in D Minor | Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney | G Major | 1 | 9B | 79 BPM | ||
The Dance of Maya | Matt Haimovitz, Christopher O'Riley | G Major | 0 | 9B | 182 BPM | ||
Bagatelle | Philippe Paquet, Quatuor Andara | E Major | 0 | 12B | 50 BPM | ||
Lieutenant Kijé Suite, Op. 60: IV. Troika (Arr. M. Haimovitz & C. O'Riley for Cello & Piano) | Sergei Prokofiev, Matt Haimovitz, Christopher O'Riley | F Major | 0 | 7B | 103 BPM | ||
Preludes & Fugues, K. 404a: Prelude No. 3 in F Major | Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney | F♯ Major | 1 | 2B | 142 BPM |