Sergei Prokofiev, Matt Haimovitz, Christopher O'Riley's 'Lieutenant Kijé Suite, Op. 60: IV. Troika (Arr. M. Haimovitz & C. O'Riley for Cello & Piano)' came out on September 1, 2017. The duration of Lieutenant Kijé Suite, Op. 60: IV. Troika (Arr. M. Haimovitz & C. O'Riley for Cello & Piano) is about 3 minutes long, at 3:03. Based on our data, "Lieutenant Kijé Suite, Op. 60: IV. Troika (Arr. M. Haimovitz & C. O'Riley for Cello & Piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Troika". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Lieutenant Kijé Suite, Op. 60: IV. Troika (Arr. M. Haimovitz & C. O'Riley for Cello & Piano) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieutenant Kijé Suite, Op. 60: IV. Troika (Arr. M. Haimovitz & C. O'Riley for Cello & Piano) by Sergei Prokofiev, Matt Haimovitz, Christopher O'Riley having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella-Suite Nr. 1, Op. 107: IV. Fairy Godmother and Fairy Winter | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM |