Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney's 'Preludes & Fugues, K. 404a: Prelude No. 1 in D Minor' came out on 2006. With this song being about 5 minutes long, at 5:00, "Preludes & Fugues, K. 404a: Prelude No. 1 in D Minor" by Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney's "Mozart: Divertimento & Preludes to Bach" album is number 1 out of 12. On top of that, Netherlands appears to be the country where this track was created. Preludes & Fugues, K. 404a: Prelude No. 1 in D Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Preludes & Fugues, K. 404a: Prelude No. 1 in D Minor by Wolfgang Amadeus Mozart, Matt Haimovitz, Jonathan Crow, Douglas McNabney to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro (Arr. J.N. Hummel for flute, violin, cello and piano) | Wolfgang Amadeus Mozart, Fumiko Shiraga, Henrik Wiese, Peter Clemente, Tibor Benyi | G Minor | 1 | 6A | 114 BPM | ||
Der Stein der Weisen, Act I: Wut und Verzweiflung | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Chris Pedro Trakas, Paul Austin Kelly | G Major | 3 | 9B | 108 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Liszt: Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato | Franz Liszt, Boris Berezovsky, Hugh Wolff, Philharmonia Orchestra | A Major | 3 | 11B | 98 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM |