"Short Service: Nunc dimittis (Short Service)" by Orlando Gibbons, Oxford Camerata, Jeremy Summerly was released on January 31, 1996. The duration of Short Service: Nunc dimittis (Short Service) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Short Service: Nunc dimittis (Short Service)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orlando Gibbons's "Gibbons: Choral and Organ Music" album is number 14 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Short Service: Nunc dimittis (Short Service) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Short Service: Nunc dimittis (Short Service) by Orlando Gibbons, Oxford Camerata, Jeremy Summerly to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Solo e pensoso | Luca Marenzio, Huelgas Ensemble, Paul Van Nevel | E Minor | 1 | 9A | 71 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
Thou, Who at Thy First Eucharist (arr. R. Vaughan Williams) | Ralph Vaughan Williams, Orlando Gibbons, Los Angeles First Congregational Church Choir, Frederick Swann, Thomas Somerville | G Major | 1 | 9B | 109 BPM | ||
Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
Stabat Mater: IV. Sancta Mater | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Orlando Gibbons (bap.1583-1625) - Fantazia à3 in d, VdGS No.8, Oxford. Christ Church, Mus.Ms.21 (ca.1620) | Orlando Gibbons, Phillip W. Serna | F♯ Minor | 2 | 11A | 85 BPM |