"Geistliche Chormusik: Die mit Tränen säen, SWV 378" by Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe was released on 1996. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Schütz: Geistliche Chormusik". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Geistliche Chormusik: Die mit Tränen säen, SWV 378 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Geistliche Chormusik: Die mit Tränen säen, SWV 378 by Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Jahreszeiten, Hob. XXI:3, Der Frühling: VIII. Freudenlied mit abwechselndem Chor der Jugend, "Oh, wie lieblich ist der Anblick" | Franz Joseph Haydn, Christina Landshamer, Maximilian Schmitt, Florian Boesch, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 1 | 10B | 68 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: II. Motette "Herr, wenn ich nur Dich habe" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | A Minor | 1 | 8A | 62 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
King Arthur: Act V, sc.2: Chaconne | Henry Purcell, The Deller Consort and Choir, Continuo, The King’s Musick, Alfred Deller | E Major | 1 | 12B | 75 BPM | ||
Lamentations of Jeremiah I - Ed. Philip Brett | Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury | D Minor | 1 | 7A | 77 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
"Sweeter Than Roses", Z.585 | Henry Purcell, Emma Kirkby, Anthony Rooley | G Major | 0 | 9B | 109 BPM |