"Thou, Who at Thy First Eucharist (arr. R. Vaughan Williams)" by Ralph Vaughan Williams, Orlando Gibbons, Los Angeles First Congregational Church Choir, Frederick Swann, Thomas Somerville had its release date on February 7, 2012. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Thou, Who at Thy First Eucharist (arr. R. Vaughan Williams)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: Hymns by Ralph Vaughan Williams, Thomas Somerville. The song's track number on the album is #12 out of 20 tracks. In terms of popularity, Thou, Who at Thy First Eucharist (arr. R. Vaughan Williams) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Thou, Who at Thy First Eucharist (arr. R. Vaughan Williams) by Ralph Vaughan Williams, Orlando Gibbons, Los Angeles First Congregational Church Choir, Frederick Swann, Thomas Somerville has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Thou, Who at Thy First Eucharist (arr. R. Vaughan Williams) being at 109 テンポ, the half-time would be 54 テンポ with a double-time of 218 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra: IV. Finale alla Tedesca | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D♭ Major | 0 | 3B | 87 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Serenade in D Major: II. Scherzo. Allegro vivace | Dame Ethel Smyth, Odaline de la Martinez, BBC Philharmonic | G Major | 1 | 9B | 148 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Fantasia on Greensleeves (Version for Piano) | Ralph Vaughan Williams, Carmen Stefanescu | C Minor | 0 | 5A | 69 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM |