Nikolai Kapustin, Catherine Gordeladze's '8 Concert Etudes, Op. 40: No. 1, Prelude' came out on January 4, 2011. The duration of 8 Concert Etudes, Op. 40: No. 1, Prelude is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 8 Concert Etudes, Op. 40: No. 1, Prelude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolai Kapustin, Catherine Gordeladze's "Kapustin: 8 Concert Etudes - 24 Preludes" album is number 1 out of 32. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, 8 Concert Etudes, Op. 40: No. 1, Prelude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 8 Concert Etudes, Op. 40: No. 1, Prelude by Nikolai Kapustin, Catherine Gordeladze to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
Play Piano Play (10 Übungsstücke für Yuko): VI. Presto possibile | Glenn Gould, Friedrich Gulda, Sasha Grynyuk | B♭ Minor | 3 | 3A | 152 BPM | ||
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 22 in G Minor | Dmitri Shostakovich, Keith Jarrett | G Minor | 1 | 6A | 136 BPM | ||
L'Arlésienne: Minuet für Klavier, Op. 23 | Catherine Gordeladze | A♭ Major | 1 | 4B | 169 BPM | ||
Piano Sonata No. 7 in B-Flat Major, Op. 83: 3. Precipitato | Sergei Prokofiev, Yuja Wang | A♭ Major | 3 | 4B | 93 BPM | ||
Sepia Effect | Hiromi | A Major | 1 | 11B | 66 BPM | ||
Introduction And Allegro For Harp, String Quartet, Flute And Clarinet | Maurice Ravel, Nash Ensemble, Skaila Kanga, Philippa Davies, Michael Collins | E♭ Minor | 1 | 2A | 70 BPM | ||
Cancion y Danza No. 6 | Federico Mompou, Belle Chen | E♭ Minor | 1 | 2A | 105 BPM |