"Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 22 in G Minor" by Dmitri Shostakovich, Keith Jarrett was released on June 1, 1992. With this song being about 5 minutes long, at 5:09, "Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 22 in G Minor" by Dmitri Shostakovich, Keith Jarrett is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 24 in Dmitri Shostakovich: 24 Preludes And Fugues, Op. 87 by Dmitri Shostakovich, Keith Jarrett. Based on our statistics, Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 22 in G Minor's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Preludes and Fugues for Piano, Op. 87: Prelude & Fugue No. 22 in G Minor by Dmitri Shostakovich, Keith Jarrett is Allegro (fast, quick, and bright), since this song has a tempo of 136 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.6 in F Major, ‘Cradle Song’, H.40 | John Field, Elizabeth Joy Roe | F Major | 0 | 7B | 69 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Ravel: Le Tombeau de Couperin, M. 68: V. Menuet | Maurice Ravel, Bertrand Chamayou | G Major | 0 | 9B | 107 BPM | ||
Drei Intermezzi, Op. 117: I. Andante moderato | Johannes Brahms, Arcadi Volodos | E♭ Major | 0 | 5B | 75 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): III. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Minor | 2 | 5A | 114 BPM | ||
Nocturnes, Op. 9: No. 3 in B Major | Frédéric Chopin, Arthur Rubinstein | F♯ Major | 0 | 2B | 166 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Sonate pour flûte, alto et harpe: I. Pastorale. Lento, dolce rubato | Claude Debussy, Philippe Bernold, Gérard Caussé, Isabelle Moretti, Ariane Jacob | F Major | 0 | 7B | 100 BPM | ||
Parallels | Keith Jarrett | D♭ Major | 3 | 3B | 149 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM |