"Porpora: Ifigenia in Aulide: Le limpid'onde" by Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra was released on September 10, 2013. Since Porpora: Ifigenia in Aulide: Le limpid'onde is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 11 in Farinelli & Porpora - His Master's Voice by Nicola Porpora, Philippe Jaroussky. Porpora: Ifigenia in Aulide: Le limpid'onde is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Porpora: Ifigenia in Aulide: Le limpid'onde by Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra is Larghetto (rather broadly), since this song has a tempo of 65 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act I, Overture | Henry Purcell, Orchestra of the Age of Enlightenment, René Jacobs | B Minor | 2 | 10A | 94 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Salve Regina: No. 4., Eja ergo advocata nostra | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Miserere II in C minor: 1. Miserere mei, Deus | Giovanni Battista Pergolesi, The Choir of Magdalen College, Oxford, The Wren Orchestra, Bernard Rose | D♭ Major | 2 | 3B | 120 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Dido and Aeneas / Act 1: Overture | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | B Minor | 3 | 10A | 89 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Salve Regina in F minor: 5. O clemens | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 171 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: I. Barbara, dira, effera | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 5 | 12B | 121 BPM |