"Capriccio Italiano, Op. 45" by London Symphony Orchestra, Philip Simms (Conductor) was released on June 29, 2017. The duration of Capriccio Italiano, Op. 45 is about 3 minutes long, at 3:26. Based on our data, "Capriccio Italiano, Op. 45" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 13 in Astrology & Zodiac Music: Leo by London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Capriccio Italiano, Op. 45 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capriccio Italiano, Op. 45 by London Symphony Orchestra, Philip Simms (Conductor) is Adagio (slowly with great expression), since this song has a tempo of 67 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Symphony N°3 in F major, Op. 90: III. Poco Allegretto | London Symphony Orchestra | C Minor | 1 | 5A | 134 BPM | ||
March From Things To Come | Arthur Bliss, Bliss, Royal Philharmonic Orchestra, Robin Stapleton | C Major | 5 | 8B | 114 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
String Quintet in E Major, Op. 11, No. 5, G. 275: III. Minuetto (Arr. G. Goltermann) | Luigi Boccherini, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 182 BPM | ||
Carnival of the Animals: II. Hens and Cocks | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 88 BPM | ||
Pictures at an Exhibition: Ballet of the unhatched chicks | Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 1 | 3B | 176 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": IV. Finale (Molto vivace) | Sergei Prokofiev, André Previn, London Symphony Orchestra | D Major | 3 | 10B | 77 BPM |