Leo Slezak's 'Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug)' came out on May 5, 2010. The duration of Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 4 out of 22. In terms of popularity, Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ständchen (Der Mond Steht Über Dem Berge), Op. 106 Nr. 1-5 (Auszug) by Leo Slezak to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sechs Lieder Op. 86: 2. Feldeinsamkeit | Johannes Brahms, Leo Slezak, Heinrich Schacker | E Major | 1 | 12B | 172 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Qual vita e questa mai" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
Las Golondrinas, I parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
O Mathilde, du Engel meiner Liebe (Wilhelm Tell) | Leo Slezak, Leopold Demuth | C Major | 2 | 8B | 72 BPM | ||
Chausson: Le Charme | Gérard Souzay | E♭ Major | 1 | 5B | 98 BPM | ||
Gianni Schicchi, Act I: O mio babbino caro | Giacomo Puccini, Giovacchino Forzano, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Walzer um den Stefansdom: Rundfunkparodie | Anton Profes, Leo Slezak, Studio Orchestra | F♯ Major | 2 | 2B | 79 BPM | ||
Rossini: Zelmira, Act 1: "Perche mi guardi e piangi" (Zelmira, Emma) | Gioachino Rossini, Maurizio Benini, Scottish Chamber Orchestra | C Major | 2 | 8B | 88 BPM | ||
Herbstmanover: Sei mir wieder gut, kleine Frau | Robert Stolz, Jupp Hussels, Leo Slezak, Studio Orchestra, Walter Schütze | B♭ Major | 2 | 6B | 128 BPM |