"Gianni Schicchi, Act I: O mio babbino caro" by Giacomo Puccini, Giovacchino Forzano, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra was released on November 24, 2023. The duration of Gianni Schicchi, Act I: O mio babbino caro is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Gianni Schicchi, Act I: O mio babbino caro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 13 in Essence by Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra. Gianni Schicchi, Act I: O mio babbino caro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gianni Schicchi, Act I: O mio babbino caro by Giacomo Puccini, Giovacchino Forzano, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Così fan tutte, K.588, Act II: Duetto. "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati | A Major | 1 | 11B | 70 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): V. Green | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
Le Sable du Sablier: II. Fête | Claude Arrieu, Marielou Jacquard, Flore Merlin | B Minor | 2 | 10A | 79 BPM | ||
Le Villi: Act I - Presto! Presto in viaggio!... Angiol di Dio | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Puccini: Turandot, Act 1: "Padre! Mio Padre!" (Calaf, Liù, Crowd, Timur) | Giacomo Puccini, Eugenio Fernandi, Elisabeth Schwarzkopf, Nicola Zaccaria, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Eugenio Fernandi, Nicola Zaccaria, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM |