Leo Slezak, Leopold Demuth made "O Mathilde, du Engel meiner Liebe (Wilhelm Tell)" available on August 30, 2006. The duration of O Mathilde, du Engel meiner Liebe (Wilhelm Tell) is about 3 minutes long, at 3:04. Based on our data, "O Mathilde, du Engel meiner Liebe (Wilhelm Tell)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Leo Slezak's "Lebendige Vergangenheit - Leo Slezak" album is number 3 out of 20. O Mathilde, du Engel meiner Liebe (Wilhelm Tell) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of O Mathilde, du Engel meiner Liebe (Wilhelm Tell) by Leo Slezak, Leopold Demuth to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rondine, Act I: Chi il bel sogno di Doretta | Giacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Time | Bruce Mondek | A♭ Major | 1 | 4B | 99 BPM | ||
Kapitel 3 - Hänsel und Gretel | Oper für die Kleinsten, Engelbert Humperdinck, Marina Mehlinger, Manja Kloss, Luca Zamperoni, Hans Henrik Wöhler | F Major | 3 | 7B | 105 BPM | ||
La forza del destino, Act II, Scene II: Chi mi cerca? | Giuseppe Verdi, Dinara Alieva, Riccardo Zanellato, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | G Major | 2 | 9B | 104 BPM | ||
The Red Mill: Moonbeams | Victor Herbert, Virginia Croskery, Slovak Radio Symphony Orchestra, Keith Brion | F Minor | 1 | 4A | 175 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 4, Wasserrose | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Die Konigin von Saba (The Queen of Sheba), Op. 27: Act I: Da platschert eine Silberquelle | Karl Goldmark, Leo Slezak | E♭ Major | 2 | 5B | 81 BPM | ||
Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
Die Konigin von Saba (The Queen of Sheba), Op. 27: Act I: Dem Konig Heil! Es naht sein hoher Gast | Karl Goldmark, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Puccini: Turandot, Act 2: "O mondo, pieno di pazzi innamorati!" (Ping, Pang, Pong, Chorus) | Giacomo Puccini, Mario Boriello, Renato Ercolani, Piero de Palma, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Piero de Palma, Renato Ercolani, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM |