"The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live" by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin was released on February 2, 2024. The duration of The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 36 in Berlioz: The Damnation of Faust (Live) by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, London Philharmonic Choir, London Symphony Chorus, Karen Cargill, John Irvin, Christopher Purves, Jonathan Lemalu. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Damnation of Faust, Op. 24, H. 111, Scene 5: 'Ô pure émotion!' - Live by Hector Berlioz, Edward Gardner, London Philharmonic Orchestra, Christopher Purves, John Irvin is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Berlioz: Symphonie fantastique, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Munich Philharmonic Orchestra, Sergiu Celibidache | A Major | 1 | 11B | 73 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Tristia, Op.18: 3. Marche funèbre pour la dernière scène d'Hamlet | Hector Berlioz, Cleveland Orchestra, Pierre Boulez, The Cleveland Orchestra Chorus, Gareth Morrell | A Minor | 1 | 8A | 82 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | G Minor | 2 | 6A | 117 BPM |