"Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat" by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding had its release date on August 26, 2016. This song appears to be safe for all ages as it is not explicit. The song is number 14 out of 14 in Berlioz: Symphonie Fantastique - Rameau: Suite de Hippolyte et Aricie by Swedish Radio Symphony Orchestra, Daniel Harding. In terms of popularity, Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: V. Songe d'une nuit de sabbat by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Royal Concertgebouw Orchestra, Sir Colin Davis | D♭ Major | 2 | 3B | 77 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 1 in E Major | Niccolò Paganini, Itzhak Perlman | E Major | 3 | 12B | 102 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco piu presto | Johannes Brahms, Julia Fischer, Yakov Kreizberg, Netherlands Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
Scheherazade: Sinbad's mighty bird, the Roc | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 3 | 9B | 143 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: VI. Premier et deuxième air des Matelots. Gravement-Pesamment-Vivement | Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding | D Minor | 1 | 7A | 118 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM |