"Cavalleria rusticana: Intermezzo sinfonico (Live)" by Pietro Mascagni, Dresdner Philharmonie, Marek Janowski was released on April 10, 2020. The duration of Cavalleria rusticana: Intermezzo sinfonico (Live) is about 3 minutes long, at 3:05. Based on our data, "Cavalleria rusticana: Intermezzo sinfonico (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pietro Mascagni, Brian Jagde, Lester Lynch, Dresdner Philharmonie, Marek Janowski's "Mascagni: Cavalleria rusticana (Live)" album is number 16 out of 20. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Cavalleria rusticana: Intermezzo sinfonico (Live) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: Intermezzo sinfonico (Live) by Pietro Mascagni, Dresdner Philharmonie, Marek Janowski to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: Vissi d'arte | Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra | E♭ Major | 3 | 5B | 87 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM |