Joseph-Hector Fiocco, Scherzi Musicali, Nicolas Achten, Céline Vieslet, Reinoud Van Mechelen, Olivier Berten, Korneel Bernolet made "Salve regina: II. Ad te clamamus" available on 2011. With Salve regina: II. Ad te clamamus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 28 in Fiocco: Petits motets by Joseph-Hector Fiocco, Scherzi Musicali, Nicolas Achten. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Salve regina: II. Ad te clamamus is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Salve regina: II. Ad te clamamus by Joseph-Hector Fiocco, Scherzi Musicali, Nicolas Achten, Céline Vieslet, Reinoud Van Mechelen, Olivier Berten, Korneel Bernolet is Moderato (at a moderate speed), since this song has a tempo of 118 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Double Bass Concerto in D Major: I. Allegro moderato | Johann Baptist Vanhal, Zsolt Fejervari, Budapest Ferenc Erkel Chamber Orchestra | A Major | 0 | 11B | 115 BPM | ||
Première lamentation du Jeudi saint: II. Teth - Defixae sunt | Joseph-Hector Fiocco, Ana Quintans, Diana Vinagre, Ensemble Bonne Corde | A Major | 2 | 11B | 135 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 10 in B Minor for 4 Violins and Cello, RV 580: 1. Allegro | Antonio Vivaldi, Monica Huggett, Catherine Mackintosh, Elizabeth Wilcock, John Holloway, Susan Sheppard, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 3 | 3A | 116 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 128 BPM | ||
Sonata in G Minor: I. Largo | Henry Eccles, Amit Peled, Eliza Ching | B♭ Major | 1 | 6B | 173 BPM | ||
Navarra, Op. 33 | Pablo de Sarasate, Itzhak Perlman, David Garvey | A Major | 2 | 11B | 101 BPM | ||
Song for Pat | John Burke, Joseph-Hector Fiocco, Catherine Wilson, Erica Beston, Norman Hathaway, Jonathan Craig, David Young, Philip Seguin, Sharon Prater | G Major | 2 | 9B | 73 BPM |