On 2010, the song "Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie" was released by London Conchord Ensemble, Florian Uhlig. With Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 27 in Bach: Suite No. 2 in B Minor, Concerto in A Major, Concerto in C Minor, Concerto in D Minor, Brandenburg Concertos No. 2, 3 & 4 by London Conchord Ensemble, Florian Uhlig. Based on our statistics, Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie by London Conchord Ensemble, Florian Uhlig is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade For Strings In E Major, Op.22, B.52: 2. Tempo di valse | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | A Major | 1 | 11B | 177 BPM | ||
Sextet for Piano, Flute, Oboe, Clarinet, Bassoon and Horn: Allegro vivace - Tres vite et emporté | London Conchord Ensemble | G Major | 1 | 9B | 134 BPM | ||
Ouverture in C Major: I. Allegro con spirito | Marianna Martines, La Floridiana | A♭ Minor | 1 | 1A | 73 BPM | ||
Septet No. 1 in D Minor, Op. 74: IV. Finale. Vivace | Johann Nepomuk Hummel, Dieter Klöcker, Florian Uhlig, Consortium Classicum | F Major | 0 | 7B | 0 BPM | ||
Concerto for Oboe d'amore, Strings and B.c. "Verdi prati": Allegro ("Dopo notte" from Opera 'Ariodante', HWV 32) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Minor | 2 | 3A | 131 BPM | ||
Le Festin D'Esope Op. 39 No. 12 | Charles-Valentin Alkan, Igor Roma | E Minor | 2 | 9A | 138 BPM | ||
Bach Concerto in C Minor for Oboe and Violin (reconstructed from BWV 1060): II. Adagio | London Conchord Ensemble, Florian Uhlig | C Minor | 1 | 5A | 83 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
Román népi táncok (Romanian Folk Dances), BB 76: No. 1. Jocul cu bata: Molto moderato | Béla Bartók, Hungarian National Philharmonic, Zoltán Kocsis | A Minor | 0 | 8A | 93 BPM |