"Alleluja, Felix es Sacra Virgo Maria" by Capella Cracoviensis was released on January 1, 2009. The duration of Alleluja, Felix es Sacra Virgo Maria is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Alleluja, Felix es Sacra Virgo Maria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Spiewy dla chwaly Bozej". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Poland. Based on our statistics, Alleluja, Felix es Sacra Virgo Maria's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Alleluja, Felix es Sacra Virgo Maria by Capella Cracoviensis having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate No. 1 (Six Sonates ex symphonies op. 3): 3.Gigha: Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 2 | 11A | 80 BPM | ||
Predieri: Scipione il giovane, Act 1: "Finche salvo è l'amor suo" (Scipione) | Luca Antonio Predieri, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 2 | 11B | 118 BPM | ||
Germanico in Germania / Act 3: "E ancor l’ultime voci" | Nicola Porpora, Max Emanuel Cenčić, Mary-Ellen Nesi, Dilyara Idrisova, Hasnaa Bennani, Julia Lezhneva, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus | F♯ Major | 2 | 2B | 83 BPM | ||
Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: II. Quia respexit | Carl Philipp Emanuel Bach, Geraint Jones, Jennifer Vyvyan, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Davide penitente, K. 469: Alzai le flebili voci al Signor (Chorus, Soprano 1) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | A Minor | 1 | 8A | 169 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Adriano in Siria / Act 1: "Comprendesti, o Farnaspe, d’Augusto i detti?" | Giovanni Battista Pergolesi, Juan Sancho, Franco Fagioli, Capella Cracoviensis, Jan Tomasz Adamus | F♯ Major | 1 | 2B | 80 BPM |