"Dido and Aeneas / Act 3: "But Death alas!".."When I am laid in earth"" by Henry Purcell, Dame Janet Baker, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis had its release date on January 1, 1962. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #16. Dido and Aeneas / Act 3: "But Death alas!".."When I am laid in earth" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 3: "But Death alas!".."When I am laid in earth" by Henry Purcell, Dame Janet Baker, The St. Anthony Singers, English Chamber Orchestra, Thurston Dart, Anthony Lewis having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischutz, J. 277: Huntsmen's Chorus | Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind | D Major | 2 | 10B | 116 BPM | ||
Amy Fisher | Nico Muhly, Ana Maria Martinez | G Major | 2 | 9B | 116 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Coro dell'Accademia Nazionale Di Santa Cecilia, Roberto Gabbiani, Daniele Rossi | D Major | 0 | 10B | 137 BPM | ||
The Lord is My Shepherd | Will Todd, Tenebrae, English Chamber Orchestra, Nigel Short | E♭ Major | 2 | 5B | 80 BPM | ||
Parsifal, WWV 111: Prelude | Richard Wagner, Bayreuth Festival Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 115 BPM | ||
Tristan und Isolde, WWV 90 / Act III: Mild und leise wie er lächelt | Richard Wagner, Birgit Nilsson, Bayreuth Festival Orchestra, Karl Böhm | E Major | 3 | 12B | 92 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
Faust / Act 2: No.7 Ronde du veau d'or: "Le veau d'or" | Charles Gounod, René Pape, Staatskapelle Dresden, Sebastian Weigle, Men's Chorus of the Dresden State Opera Chorus, Ulrich Paetzholdt | F Minor | 4 | 4A | 119 BPM | ||
L'elisir d'amore / Act 2: "Ei corregge ogni difetto" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Luciano Pavarotti, Dominic Cossa, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM | ||
Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM |