"La traviata / Act 2: Alfredo! Voi!...Or tutti a me...Ogni suo aver" by Giuseppe Verdi, Luciano Pavarotti, Della Jones, Dame Joan Sutherland, Jonathan Summers, Alexander Oliver, David Wilson-Johnson, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge was released on January 1, 1980. Since La traviata / Act 2: Alfredo! Voi!...Or tutti a me...Ogni suo aver is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: La Traviata by Giuseppe Verdi, Dame Joan Sutherland, Luciano Pavarotti, Matteo Manuguerra, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge. The song's track number on the album is #2 out of 24 tracks. La traviata / Act 2: Alfredo! Voi!...Or tutti a me...Ogni suo aver is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 2: Alfredo! Voi!...Or tutti a me...Ogni suo aver by Giuseppe Verdi, Luciano Pavarotti, Della Jones, Dame Joan Sutherland, Jonathan Summers, Alexander Oliver, David Wilson-Johnson, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With La traviata / Act 2: Alfredo! Voi!...Or tutti a me...Ogni suo aver being at 77 テンポ, the half-time would be 38 テンポ with a double-time of 154 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Nabucco / Act 2: Che si vuol? / Il maledetto non ha fratelli | Giuseppe Verdi, Plácido Domingo, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E Minor | 3 | 9A | 116 BPM | ||
La fille du régiment / Act 1: "Pour mon âme quel destin" | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 66 BPM | ||
Il Trovatore, IGV 31, Act IV: "Udiste? Come albeggi la scure al figlio, ed alla madre il rogo!" (Conte, Leonora) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Leonard Warren, Maria Callas | E♭ Minor | 2 | 2A | 76 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM | ||
Aida (1997 Digital Remaster): Se quel gerriero io fossil! | Giuseppe Verdi, Richard Tucker, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | B♭ Major | 1 | 6B | 79 BPM | ||
Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM |