Arthur Sullivan, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey's '22. Love unrequited' came out on January 1, 1960. 22. Love unrequited is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: Iolanthe" album is number 7 out of 28. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, 22. Love unrequited is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 22. Love unrequited by Arthur Sullivan, John Reed, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dam Busters | Eric Coates, Eric Coates and his Concert Orchestra | C Major | 4 | 8B | 137 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "Ye people, rend your hearts" - "If with all your hearts" | Felix Mendelssohn, Anthony Rolfe Johnson, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 118 BPM | ||
Porgy and Bess / Act 1: "Summertime" | George Gershwin, Barbara Hendricks, James Vincent Pickens, Francois Clemmons, Arthur Thompson, Florence Quivar, Samuel Hagan, Christopher Deane, The Cleveland Orchestra Chorus, Cleveland Orchestra, Lorin Maazel | B Minor | 2 | 10A | 83 BPM | ||
H.M.S. Pinafore, Act II: Entr’acte | Gilbert & Sullivan Society of Houston | G Major | 1 | 9B | 82 BPM | ||
The Pirates of Penzance: Poor Wandr'ing One! | Marilyn Hill Smith | B♭ Major | 2 | 6B | 130 BPM | ||
Hidden Faces | Karl Jenkins, Kathryn Rudge, World Orchestra For Peace | D♭ Major | 2 | 3B | 93 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) | Gioachino Rossini, Joyce DiDonato, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Edoardo Muller, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Major | 1 | 12B | 131 BPM | ||
Puccini: Turandot, Act 2: "La mia vittoria" (Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 3 | 4A | 93 BPM | ||
Carmen, Act IV, No.27 Duo et Choeur final: Tu m'aimes donc plus (Don José/Carmen/Choeurs) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F♯ Major | 3 | 2B | 86 BPM | ||
Climb Ev’ry Mountain - Reprise / Instrumental Version | Irwin Kostal | C Major | 1 | 8B | 96 BPM |