"Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina)" by Gioachino Rossini, Joyce DiDonato, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Edoardo Muller, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on August 26, 2013. Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. There are a total of 31 in the song's album "ReJOYCE!". In this album, this song's track order is #19. Based on our statistics, Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rossini: Il barbiere di Siviglia, Act 1 Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina) by Gioachino Rossini, Joyce DiDonato, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Edoardo Muller, Orchestra dell'Accademia Nazionale di Santa Cecilia having a テンポ of 131 with a half-time of 66 テンポ and a double-time of 262 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K.620 / Act 2: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Bryn Terfel, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung | G Major | 3 | 9B | 117 BPM | ||
Turandot / Act 3: "Tu che di gel sei cinta" | Giacomo Puccini, Renata Tebaldi, Mario del Monaco, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede | E♭ Minor | 2 | 2A | 89 BPM | ||
Il turco in Italia, Act I: No mia vita, mio tesoro (Critical Ed. Margaret Bent) | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | E Major | 3 | 12B | 130 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ehi, Fiorelli?...Mio signore (Conte/Fiorello/Coro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin | D Major | 0 | 10B | 115 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Largo al factotum (Act I) | Cesare Sterbini, Gioachino Rossini, Royal Philharmonic Orchestra, Owain Arwel Hughes | G Major | 3 | 9B | 70 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
Berenice : Da torbida procella | Giuseppe Maria Orlandini, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | A♭ Major | 3 | 4B | 134 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM |