"Turandot / Act 3: Padre augusto (Turandot, Coro, Coro di ragazzi)" by Giacomo Puccini, Katia Ricciarelli, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus was released on January 1, 1982. The duration of Turandot / Act 3: Padre augusto (Turandot, Coro, Coro di ragazzi) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Turandot / Act 3: Padre augusto (Turandot, Coro, Coro di ragazzi)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 55 in the song's album "Puccini: Turandot". In this album, this song's track order is #29. Turandot / Act 3: Padre augusto (Turandot, Coro, Coro di ragazzi) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: Padre augusto (Turandot, Coro, Coro di ragazzi) by Giacomo Puccini, Katia Ricciarelli, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | D♭ Major | 1 | 3B | 137 BPM | ||
Jenufa / Act 3: Odesli | Leoš Janáček, Wiesław Ochman, Elisabeth Söderström, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Major | 2 | 6B | 82 BPM | ||
Fidelio, Op. 72 / Act I: "O welche Lust, in freier Luft den Atem leicht zu heben!" | Ludwig van Beethoven, Vienna State Opera Chorus, Wiener Philharmoniker, Leonard Bernstein | B♭ Major | 1 | 6B | 106 BPM | ||
La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | ||
Carmen: La fleur que tu m'avais jetée | Georges Bizet, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | D♭ Major | 1 | 3B | 109 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 103 BPM | ||
Parsifal, WWV 111 / Act III: Ja, Wehe! Wehe! Weh' über mich! | Richard Wagner, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | C Major | 0 | 8B | 166 BPM | ||
Puccini: Manon Lescaut, Act 2: "In quelle trine morbide" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | D♭ Major | 1 | 3B | 88 BPM | ||
Cavalleria rusticana: "Il cavallo scalpita" | Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Major | 3 | 2B | 128 BPM | ||
Adriana Lecouvreur / Act 2: Intermezzo | Francesco Cilea, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 111 BPM |