Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni's 'Cavalleria rusticana: "Il cavallo scalpita"' came out on January 1, 1978. The duration of Cavalleria rusticana: "Il cavallo scalpita" is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Cavalleria rusticana: "Il cavallo scalpita"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pietro Mascagni, Gianandrea Gavazzeni, Luciano Pavarotti, Julia Varady, Piero Cappuccilli, Ida Bormida, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra's "Mascagni: Cavalleria Rusticana" album is number 5 out of 16. Based on our statistics, Cavalleria rusticana: "Il cavallo scalpita"'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cavalleria rusticana: "Il cavallo scalpita" by Pietro Mascagni, Piero Cappuccilli, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aprile | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | D♭ Major | 2 | 3B | 71 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 78 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
La Gioconda / Act 2: Il mio braccia t'afferra! | Amilcare Ponchielli, Montserrat Caballé, Agnes Baltsa, Sherrill Milnes, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 3 | 7B | 129 BPM | ||
Mignon (1987 Digital Remaster): Ah, pour ce soir...Je suis Titania (Polonaise) | Maria Callas, Georges Prêtre | B♭ Major | 2 | 6B | 97 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM |