"La traviata / Act 2: "Di Provenza il mar, il suol"" by Giuseppe Verdi, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi was released on January 1, 2005. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #21 out of 38 tracks. Based on our statistics, La traviata / Act 2: "Di Provenza il mar, il suol"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata / Act 2: "Di Provenza il mar, il suol" by Giuseppe Verdi, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With La traviata / Act 2: "Di Provenza il mar, il suol" being at 137 テンポ, the half-time would be 68 テンポ with a double-time of 274 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L 1. Akt / Act 1 | Wiener Philharmoniker | E Major | 1 | 12B | 67 BPM | ||
La traviata / Act 2: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Joseph Calleja, Lydia Easley, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | C Minor | 2 | 5A | 108 BPM | ||
Das Rheingold / Erste Szene: "Lugt, Schwestern! Die Weckerin lacht in den Grund" | Richard Wagner, Hetty Plümacher, Oda Balsborg, Ira Malaniuk, Gustav Neidlinger, Wiener Philharmoniker, Sir Georg Solti | G Major | 2 | 9B | 108 BPM | ||
Faust, CG 4 / Act III: Chanson du roi de Thule - Air des Bijoux | Charles Gounod, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | E Major | 2 | 12B | 110 BPM | ||
Falstaff / Act II: Signore, v'assista il cielo! | Giuseppe Verdi, Thomas Hampson, Bryn Terfel, Anthony Mee, Anatolij Kotscherga, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
Madama Butterfly / Act 2: E Izaghi ed Izanami, Sarundasico e Kami | Giacomo Puccini, Christa Ludwig, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 169 BPM | ||
Le nozze di Figaro, K.492 / Act 1: "La vendetta, oh, la vendetta" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM | ||
Nabucco / Act 3: Deh, perdona | Giuseppe Verdi, Piero Cappuccilli, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 1 | 4B | 76 BPM | ||
La Traviata / Act 2: "Dammi tu forza, o cielo!" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Bavarian State Orchestra, Carlos Kleiber | G Minor | 0 | 6A | 124 BPM |