Johann Kuhnau, Paul Agnew, Les Arts Florissants made "Christ lag in Todesbanden: II. Choral "Christ lag in Todesbanden"" available on April 5, 2024. With Christ lag in Todesbanden: II. Choral "Christ lag in Todesbanden" being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Les Arts Florissants, Benjamin Alard's "J. S. Bach: A Life in Music (Vol. 1). Arnstadt & Mühlhausen (1703-1708), Early Cantatas" album is number 11 out of 36. On top of that, France appears to be the country where this track was created. In terms of popularity, Christ lag in Todesbanden: II. Choral "Christ lag in Todesbanden" is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Christ lag in Todesbanden: II. Choral "Christ lag in Todesbanden" by Johann Kuhnau, Paul Agnew, Les Arts Florissants to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Arie mit Chor. "Nun schwanden vor dem heiligen Strahle" - "Verzweiflung, Wut und Schrecken" (Uriel, Chorus) | Joseph Haydn, William Christie, Choeur des Arts Florissants, Toby Spence, Les Arts Florissants | B♭ Major | 4 | 6B | 116 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Atys, Acte III, Scène 1: "Que servent les faveurs" (Atys) | Jean-Baptiste Lully, Guy De Mey, Les Arts Florissants, William Christie | F♯ Minor | 0 | 11A | 151 BPM | ||
Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Piangono al pianger mio | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Atys, Prologue: Air pour la Suite de Melpomène | Jean-Baptiste Lully, Les Arts Florissants, William Christie | B Major | 1 | 1B | 117 BPM | ||
Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" | Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie | B♭ Minor | 1 | 3A | 81 BPM | ||
Platée, Acte 1 Scène 3: Annonce du chœur et Air "Que vos voix m'applaudissent" (Platée, le Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Arnold Schoenberg Chor | E♭ Major | 4 | 5B | 130 BPM |