"Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379" by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg was released on March 8, 2024. The duration of Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379 is about 3 minutes long, at 3:06. Based on our data, "Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 13 in Da Pacem by Heinrich Schütz, Ricercar Consort, Philippe Pierlot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379 by Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg is Moderato (at a moderate speed), since this song has a tempo of 117 テンポ. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem [in memoriam Josquin Desprez] à 6 voix: I. Introitus - Requiem aeternam | Jean Richafort, Huelgas Ensemble | F Major | 1 | 7B | 83 BPM | ||
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM | ||
Sacred Concerto No. 27, "Hlasom moim ko Hospodu vozzvakh" (With my voice unto the Lord have I cried): I. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | B Minor | 0 | 10A | 80 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Quis numerare queat: I. Quis numerare queat | Loyset Compère, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 128 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Dominus illuminatio mea: Sinfonia | Franz Tunder, Peter Barany, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A Minor | 0 | 8A | 79 BPM | ||
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: d. Presa. Vos fugam capietis | Carlo Gesualdo, Owain Park, The Gesualdo Six | A♭ Major | 0 | 4B | 84 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM |