Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max made "Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine)" available on January 1, 2001. With Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Zelenka, J.D.: Gesu Al Calvario by Jan Dismas Zelenka, Hermann Max. The song's track number on the album is #2 out of 22 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) by Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) being at 98 テンポ, the half-time would be 49 テンポ with a double-time of 196 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Morgengesang am Schöpfungsfeste, Wq. 239, H. 779: No. 5, Herr! Gott! Barmherzig und gnädig | Carl Philipp Emanuel Bach, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | E♭ Major | 2 | 5B | 93 BPM | ||
St. Matthew Passion, BWV 244: Pt. I: Recitative. Da kam Jesus mit ihnen zu einem Hofe (Evangelist, Jesus) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
アヴェ・ヴェルム・コルプス | Wolfgang Amadeus Mozart, Maki Mori | F Major | 0 | 7B | 70 BPM | ||
St. Matthew Passion, BWV 244: Pt. II: Recitative. Des Morgens aber hielten alle Hohepriester (Evangelist, Judas, Chorus, 2 Priests) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | ||
Bach, JS: Magnificat in E-Flat Major, BWV 243a: IX. Chorus. "Fecit potentiam in brachio suo" | Johann Sebastian Bach, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D Major | 2 | 10B | 119 BPM | ||
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Parcham: Solo for Recorder and Continuo | Andrew Parcham, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 117 BPM | ||
Voi Chascoltate | Sigismondo D'India, Musica Sequenza, BURAK, Diana Ramirez | F♯ Major | 2 | 2B | 86 BPM | ||
Stabat Mater in G Minor: II. O quam tristis | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM |