Marin Marais, Concentus Musicus Wien, Nikolaus Harnoncourt made "Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ" available on July 1, 2022. With Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Concentus Musicus Wien, Nikolaus Harnoncourt's "Marais / Couperin / Hotteterre" album is number 5 out of 20. On top of that, Germany appears to be the country where this track was created. Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ by Marin Marais, Concentus Musicus Wien, Nikolaus Harnoncourt to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XLIV. Tombeau des regrets: Tombeau Les Regrets - Quarrillon - Apel de Charon - Les pleurs - Joye des Elizées - Reprise: Les pleurs | Monsieur de Sainte-Colombe, Les Voix Humaines | F Minor | 0 | 4A | 79 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Prelude in C Minor, BWV 999 (Arr. J. Lindberg for Lute) | Johann Sebastian Bach, Jakob Lindberg | G Major | 1 | 9B | 136 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pectus. Sicut modo geniti infantes rationabiles | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Major | 2 | 8B | 79 BPM | ||
Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
マレ: 組曲 ニ長調: Sarabande (feat. 武澤秀平, 野入志津子 & 山縣万里) | Marin Marais, Hiroshi Fukuzawa, 武澤秀平, 野入志津子, Mari Yamagata | D♭ Major | 0 | 3B | 122 BPM | ||
Les voix humaines | Marin Marais, Paolo Pandolfo | B Major | 0 | 1B | 76 BPM | ||
Suite in E Minor, BWV 996: V. Bourée | Johann Sebastian Bach, Evangelina Mascardi | B Minor | 2 | 10A | 175 BPM | ||
Violin Concerto in G Minor, Op. 12, No. 1/RV 317: II. Largo (Arr. for Baroque Ensemble by Martin Ripper) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM |