"El Canto del Ruiseñor, Op. 29 - Remastered" by Pablo Martin Meliton Sarasate, Pablo de Sarasate had its release date on October 11, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 56 in the song's album "Obras Completas (Remastered)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. El Canto del Ruiseñor, Op. 29 - Remastered is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With El Canto del Ruiseñor, Op. 29 - Remastered by Pablo Martin Meliton Sarasate, Pablo de Sarasate having a テンポ of 85 with a half-time of 42 テンポ and a double-time of 170 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 11, Op. 122: I. Introduction. Andantino | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
La Belle au bois dormant, Op. 66 ; TH 13, Act. I, No. 8c: Pas d'action d'Aurore | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Efrem Kurtz, Yehudi Menuhin | B Minor | 5 | 10A | 94 BPM | ||
Aria dalla Germania: "Du, du liegst mir im Herzen" Op.22: VIII. Variazione VI Allegretto | Theobald Boehm, Claudio Ferrarini, Accademia Farnese | E Major | 3 | 12B | 145 BPM | ||
Eugen Onegin, Op. 24, TH 5: Polonaise | Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra | G Major | 2 | 9B | 103 BPM | ||
Romantic Rhythm | Methyl DX | D Major | 0 | 10B | 80 BPM | ||
Violin Concerto in G Minor, RV 315 "L'estate": III. Presto | Antonio Vivaldi, Alessandro Quarta, Concerto Mediterraneo, Gianna Fratta | A Minor | 2 | 8A | 135 BPM | ||
Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
美麗的羅斯馬麗 | 蔡榮吉 | G Major | 3 | 9B | 82 BPM | ||
Canon (Ferdinand Braunroth) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM |