Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra's 'Eugen Onegin, Op. 24, TH 5: Polonaise' came out on April 1, 1987. With this song being about 5 minutes long, at 4:35, "Eugen Onegin, Op. 24, TH 5: Polonaise" by Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "Tchaikovsky: Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique" & Polonaise from Eugen Onegin, Op. 24, TH 5". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Eugen Onegin, Op. 24, TH 5: Polonaise is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Eugen Onegin, Op. 24, TH 5: Polonaise by Pyotr Ilyich Tchaikovsky, Christoph von Dohnányi, The Cleveland Orchestra having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 5, Variation de la grêle | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Der Fischer und das Milchmädchen: Overture | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
世界名曲:土耳其進行曲 | 蔡榮吉, 李淑雲, 吳爾笠 | B♭ Major | 4 | 6B | 118 BPM | ||
El sombrero de tres picos, Pt. 2: IV. Danza final | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | C Major | 4 | 8B | 89 BPM | ||
Aubade, FP 51a: VI. Presto. Toilette de Diane | Francis Poulenc, Ronald Corp, Julian Evans, New London Orchestra | C Major | 1 | 8B | 89 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
La Belle au bois dormant, Op. 66 ; TH 13, Act. I, No. 6: Valse | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Efrem Kurtz | B Minor | 5 | 10A | 94 BPM | ||
Symphony No.7 in D minor, Op.70: 4. Finale (Allegro) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | B Minor | 2 | 10A | 129 BPM | ||
Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Les Diamants de la couronne, S. 34: Overture | Daniel Auber, Estonian National Symphony Orchestra, Neeme Järvi | C Major | 2 | 8B | 147 BPM |