"Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VI. Credo" by Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie, Gilles Ragon, Noemi Rime, Bernard Deletré, Jean-Paul Fouchécourt had its release date on April 27, 1989. This song appears to be safe for all ages as it is not explicit. The song is number 17 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VI. Credo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VI. Credo by Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie, Gilles Ragon, Noemi Rime, Bernard Deletré, Jean-Paul Fouchécourt is Andante (at a walking pace), since this song has a tempo of 82 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 3: Marche pour la cérémonie des Turcs | Jean-Baptiste Lully, The London Oboe Band, Paul Goodwin, Marie-Ange Petit | A Major | 2 | 11B | 77 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Médée, H. 491, Act I: Trio et chœur. "Que d'épais bataillons" (I) | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison | G Minor | 3 | 6A | 64 BPM | ||
Zefiro torna, e di soavi accenti, SV 251 | Claudio Monteverdi, Les Arts Florissants, William Christie | G Major | 1 | 9B | 110 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM |