Hugo von Hofmannsthal, Andreas Rüdiger made "Kapitel 1 - Das Märchen der 672. Nacht" available on March 18, 2016. The duration of Kapitel 1 - Das Märchen der 672. Nacht is about 3 minutes long, at 3:03. Based on our data, "Kapitel 1 - Das Märchen der 672. Nacht" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 23 in Das Märchen der 672. Nacht (Ungekürzte Lesung) by Hugo von Hofmannsthal. Based on our statistics, Kapitel 1 - Das Märchen der 672. Nacht's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Kapitel 1 - Das Märchen der 672. Nacht by Hugo von Hofmannsthal, Andreas Rüdiger is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur Act II, Scene 2: L'anima ho stanca | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
01.2 - Die Frau ohne Schatten | Hugo von Hofmannsthal | D♭ Major | 3 | 3B | 108 BPM | ||
La Rondine, Act I: Chi il bel sogno di Doretta | Giacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Puccini: Tosca, Act 1: "Angelus Domini nuntiavit Mariae" (Sagrestano, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Kapitel 35.6 - Deutsche Lyrik | Johann Wolfgang von Goethe, Rainer Maria Rilke, Hugo von Hofmannsthal | G Major | 1 | 9B | 106 BPM |